Sica the Shore Institute of the Contemporary Arts Long Branch

Arts | New Jersey

<strong>WILD THINGS</strong> Douglas Ferrari, executive director of the Shore Institute for the Contemporary Arts, with Kate Clark's &#8220;Lit From Within.&#8221;

Credit... Librado Romero/The New York Times

ASBURY PARK, N.J.

THE seven-year-old Shore Institute of the Contemporary Arts, where past shows have ranged from stuffed objects to works near the repetitive utilise of lite, has never risked being lumped in with galleries that display, say, driftwood sculptures.

But with "The Sum of Their Parts," an exhibition that opened Dec. 3 at the institute's new home here, Douglas Ferrari, the executive manager, made what fifty-fifty he considers a bold move. "I thought this was a good bear witness to commencement with, because it kind of gives a sampling of what we're going to be bringing to Asbury Park, and that's something dissimilar," he said. The prove takes as its theme hybridized creatures — think modern sphinxes and Minotaurs. "Not your usual Jersey Shore fine art offerings," he added.

By Mr. Ferrari's estimation, the nonprofit SICA is now perfectly situated to fulfill its ambitions. Long Branch, where the center had its home until this month, "is a slower surround," he said. (He has moved his abode to Asbury Park from Long Branch as well.)

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Credit... Jean Pierre Arboleda

In Asbury Park, "even in the economic downturn, interesting places keep going in i later the other," he said, "and there's a thriving arts customs here."

There is synergy with the business customs, as well. "Businesses actually appreciate the arts, I recollect, and realize that the arts can exist used as an economic stimulant," Mr. Ferrari said. "And so many cities and towns don't seem to get that." During the new exhibition's opening reception, Mr. Ferrari, 58, said on a recent bout, "people were coming and going virtually like a continuous thing, whereas in our other location people would come and stay because there was no place else for them to become."

"Hither there'due south so much to practise — and so many openings, and so many restaurants," he said. "People would end in and look around for half an hour and say, 'O.Yard., we can't stay; we've got to get eat.' " The active arts and entertainment scene, he said, is likely to lead to an increase in visitors.

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Credit... Katie Hoffman

SICA's 3,200-square-pes space in Asbury Park, for which the nonprofit center signed an 8-twelvemonth lease, is located on Cookman Artery, blocks from several galleries and the Exhibit, an art-house movie theatre. All together, the move to the former office of a graphic arts business organisation cost SICA $25,000, raised through donations, grants and fund-raisers.

Adjusting to the space — the second of two properties the eight-fellow member SICA board considered during its yearlong search — has meant minor artful challenges for Mr. Ferrari, who said that at outset he "wasn't really sure about the layout."

SICA's former gallery in Long Branch, in a xx,000-square-foot edifice that it owns and is trying to sell, was a iii,500-square-foot square, "all concrete and very industrial," he said. The new center is a deep railroad-style rectangle with woods floors. It consists of three galleries, a railed-in upstairs catwalk space Mr. Ferrari plans to use every bit a separate gallery, and a vii-tabular array cafe at the entrance that in Jan or February will begin serving java and desserts supplied by a local business.

Prototype

Credit... Angie Mason

When the cafe is upward and running, information technology will exist home to a series of monthly showcases carried over from Long Co-operative, among them an open mike; a gimmicky trip the light fantastic showcase called "Sudden Movements"; "Loftier Mike," an open microphone for teenage talent; and "Let It Out!" an evening of spoken give-and-take.

But SICA is better known for its exhibitions, which Mr. Ferrari organizes and curates, than its social gatherings, he said.

There are 5 to x each yr, including an annual show of recent Chief of Fine Arts graduates from New Jersey; an annual juried show open to all artists; and "High Relief," an almanac New Bailiwick of jersey high school sculpture contest. All are costless and open to the public.

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Credit... Librado Romero/The New York Times

The boldness of the current prove, "The Sum of Their Parts" — the most striking element of which may exist Kate Clark's "Lit From Within," a sculpture of three life-size gazelles with human faces — demonstrates Mr. Ferrari'southward conviction in what he calls Asbury Park'south "educated consumers."

"I think there'southward a desire for contemporary art hither, people who aren't frightened of it," he said.

The pieces in the exhibition were made past seven artists of various backgrounds who have depicted oddities ranging from an alligator's head fastened to a woman's body to a man with butterfly wings; fine art forms include painting, sculpture, engraving and cartoon. (All the fine art is for auction; the trio of gazelles is priced at $35,000.)

Two of the artists represented in "The Sum of Their Parts," which tin exist seen through Feb. 24, are from New Jersey, and both take shown at SICA before. The motion, they said, is encouraging.

"To me, the big difference is that SICA is then centrally located now — earlier it was a little isolated," said Angie Stonemason, 38, of Garfield, whose vivid paintings of moody female creatures gaze at viewers from the gallery walls.

Kelly Vetter, 45, of Neshanic, whose works on display include a framed mermaid skeleton made from a Happy Repast toy, is more attuned to the symbiosis that attracted Mr. Ferrari. "I am then happy for them, just I'm likewise happy for Asbury," she said. "Asbury is an artists' town, and they needed SICA. Something like this validates the whole town."

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Source: https://www.nytimes.com/2011/12/25/nyregion/contemporary-arts-institute-moves-to-asbury-park.html

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